Review in Spring 2022 issue of Meanjin Quarterly
Earlier this year, Scribe sent me an advance reading copy of Louise Omer’s nonfiction debut Holy Woman, for review in Meanjin Quarterly. I enjoyed reading Holy Woman and found it […]
writer, editor, and communications specialist
Earlier this year, Scribe sent me an advance reading copy of Louise Omer’s nonfiction debut Holy Woman, for review in Meanjin Quarterly. I enjoyed reading Holy Woman and found it […]
“What is so special about Austen’s wallflowers?” A new adaptation of Jane Austen’s Persuasion is being released in July 2022 – and its trailer raised a lot of questions. There […]
A paper I wrote in late 2020 and revised in 2021 has been published in Lucero, an academic journal run out of the University of Berkeley. The paper’s title is: […]
“Unbothered. Unstirred. Happy in my lane. Moist. Flourishing (bacteria).” Back in September 2021, I wrote a gentle satire of self-care tips from the perspective of a recently expired quince compôte. […]
“It was my gut, not my mind, that first suggested to me that the films I was consuming represented less a leap for womankind than an interminable box step routine.” […]
Some nice news: one of my poems has been included in a poetry collection published by Recent Work Press. The collection is titled Not Very Quiet: The anthology. Not Very […]
Something worth sharing: I recently had a poem published in Mantissa Poetry Review! Mantissa is a beautiful publication and I am excited that my writing is now a part of […]
“All the world’s a stage – but this is especially so for Cambridge in the summer. Running for eight weeks throughout July and August, the Cambridge Shakespeare Festival brings the […]
“Australian Gothic fiction offers insights into the country’s history and culture, as well as a powerful lens through which to imagine the future…” In April, I had the chance to […]
I recently received a copy of the Spring 2021 issue of Spellbinder in my pigeonhole. Spellbinder is a quarterly literary and art magazine based in Durham, UK, and its editorial […]